If you want to write about art for a wide audience, you may find yourself needing not just an argument about your particular art works, but one for art itself. Orson Welles’ F for Fake (1975) tells several stories. The first is about an art forger, the next is about his equally deceitful biographer. But through itContinue reading “F for Fake and R for . . . Rembrandt? Looking Closely with Svetlana Alpers”